Winsor & Newton Professional Watercolour 37ml
Winsor & Newton Professional Watercolour is the market leader in artists’ quality watercolours. Advancements in both pigment technology and production methods produce even brighter, more transparent and more stable colours. The widest and most balanced choice of pigments are offered with the greatest possible permanence.
The optimum brilliance of every colour in the Professional Watercolour range is unparalleled by any other watercolour. Remarkably, this brilliance is combined with high permanence.
Retail Specifications
Barcode | Length (mm) |
Width (mm) |
Height (mm) |
Weight (g) |
---|---|---|---|---|
EDP: 0349410 Winsor Yellow (Series 1) | ||||
094376970265 | 25 | 39 | 106 | 63 |
EDP: 0349220 New Gamboge (Series 1) | ||||
094376970074 | 25 | 39 | 106 | 63 |
EDP: 0349400 Winsor Red (Series 1) | ||||
094376970258 | 25 | 39 | 106 | 63 |
EDP: 0349270 Permanent Alizarin Crimson (Series 3) | ||||
094376970128 | 25 | 39 | 106 | 60 |
EDP: 0349140 Alizarin Crimson (Series 1) | ||||
094376969993 | 25 | 39 | 106 | 59 |
EDP: 0349280 Permanent Rose (Series 3) | ||||
094376970135 | 25 | 39 | 106 | 63 |
EDP: 0349340 Rose Madder Genuine (Series 4) | ||||
094376970197 | 25 | 39 | 106 | 63 |
EDP: 0349420 Winsor Violet Dioxazine (Series 1) | ||||
094376970272 | 25 | 39 | 106 | 63 |
EDP: 0349210 French Ultramarine (Series 2) | ||||
094376970067 | 25 | 39 | 106 | 66 |
EDP: 0349200 Cobalt Blue (Series 4) | ||||
094376970050 | 25 | 39 | 106 | 70 |
EDP: 0349380 Winsor Blue (Red Shade) (Series 1) | ||||
094376970234 | 25 | 39 | 106 | 63 |
EDP: 0349150 Antwerp Blue (Series 1) | ||||
094376970005 | 25 | 39 | 106 | 66 |
EDP: 0349370 Winsor Blue (Green Shade) (Series 1) | ||||
094376970227 | 25 | 39 | 106 | 63 |
EDP: 0349190 Cerulean Blue (Series 3) | ||||
094376970043 | 25 | 39 | 106 | 83 |
EDP: 0349390 Winsor Green (Blue Shade) (Series 1) | ||||
094376970241 | 30 | 40 | 110 | 64 |
EDP: 0349290 Permanent Sap Green (Series 1) | ||||
094376970142 | 25 | 39 | 106 | 63 |
EDP: 0349430 Yellow Ochre (Series 1) | ||||
094376970289 | 25 | 39 | 106 | 67 |
EDP: 0349320 Raw Sienna (Series 1) | ||||
094376970173 | 25 | 39 | 106 | 74 |
EDP: 0349310 Quinacridone Gold (Series 3) | ||||
094376970166 | 25 | 39 | 106 | 60 |
EDP: 0349170 Burnt Sienna (Series 1) | ||||
094376970029 | 25 | 39 | 106 | 63 |
EDP: 0349160 Brown Madder (Series 1) | ||||
094376970012 | 25 | 39 | 106 | 60 |
EDP: 0349330 Raw Umber (Series 1) | ||||
094376970180 | 25 | 39 | 106 | 60 |
EDP: 0349180 Burnt Umber (Series 1) | ||||
094376970036 | 25 | 39 | 106 | 66 |
EDP: 0349260 Payne's Grey (Series 1) | ||||
094376970111 | 25 | 39 | 106 | 66 |
Professional Watercolour - Chinese White
Professional Watercolour - General Colours

Watch how working on a wet surface influences pigment movement and creates multi-layered, blended effects in your painting.

This Masterclass demonstrates the difference between masking with Masking Fluid and masking with Gum Arabic.
You can use either method to repel the paint from the paper, keeping areas of your watercolour painting clean and white.
Both methods are effective, but will give different results: The Masking fluid gives a clean, hard edge to your masked out area, while Gum Arabic gives a softer edge.

This masterclass shows the different pinks Winsor and Newton offer in watercolour and in gouache.
Here we learn a bit about the sourcing and development of pinks, where pigments originate from and their properties.
For example, did you know that the now synthetic colour Carmine used to come from crushed beetles or that Rose Madder still comes from a plant root discovered by George Field?

Learn how to lay down a graded watercolour wash from yellow light to deep, by gradually adding touches of Alizarin Crimson with a syringe and a clear glass.

Tips and techniques of how to make your own iridescent watercolours.

A step by step journey from root to application.

Transparency and Opacity explained in more detail.

Discover the diversity between masstone and undertone in Winsor & Newton Professional Watercolours. Applying these differences can help greatly when painting in monotone.